![next thing you know (2014) | Installation view at blank projects, Cape Town](https://freight.cargo.site/t/original/i/110bf8f07703338bb64eb87b782c1837a000fd477478c793029d9c635cf6d459/Installation-1.jpg)
![next thing you know (2014) | Installation view at blank projects, Cape Town](https://freight.cargo.site/t/original/i/ab080fac2a420a1763982a98b3f25e3ae25515218caf35788206b3f97d0a84fd/Installation-2.jpg)
![next thing you know (2014) | Installation view at blank projects, Cape Town](https://freight.cargo.site/t/original/i/01ba9bb0e6e936cfb5d53ceb8396b2f3feaf2a0005f925f60e6980703d48958d/Installation-3.jpg)
![Jared Ginsburg, 72 Black Squares (made for Film of Drawing) (2014) | 72 ink drawings, framed pinboard, steel pins ; 120 x 180 cm](https://freight.cargo.site/t/original/i/7271bb3cfc23eee1ffdc6134ecf975d73a190ea90560fd05da2d9fb3ad308a26/72-Black-Squares-made-for-Film-of-Drawing--2014.jpg)
![Gerda Scheepers, Domestic Policies (Office) (2014) | Paper transfer onto material ; 91 x 76 cm](https://freight.cargo.site/t/original/i/a20cc0cfd02188af033a66618aa40d74057970994f02cbfeed5a7e9056c90899/Domestic-Policies-Office_2014_Paper-Transfer-onto-Material_91-x-76-cm.jpg)
![Mbali Khoza, Untitled (1) (from the series, The tongue and the other other tongue) (2014) | Monotype ; 50 x 35 cm](https://freight.cargo.site/t/original/i/42e9dc4a2171e55228152338a3e3b86f616ac434693e16b43dc61b653ed4d8f1/DSCN0214.jpg)
![Jan-Henri Booyens, giftige mense (2014) | Direct print on aluminium dibond; 180 x 120 cm](https://freight.cargo.site/t/original/i/406cca0af8b72b30b827f779de4d122e173fe6b9ee939092d5b270021d56ba30/giftige-mense--2014.jpg)
![Igshaan Adams, Mukhannath (2014) | Found chair frame and found hessian cloth bunting ; 75 x 80 x 60 cm](https://freight.cargo.site/t/original/i/b2deeaca9a9c28e3e3103153341273a58ac8d5e4b2535a9051dc2dc9e6f27d38/Igshaan-Adams--Mukhannath--2014-1.jpg)
![Kyle Morland, IPE support (2014) | I-beam, plate and weights ; 310 x 100 x 33 cm](https://freight.cargo.site/t/original/i/c4c598ec09427f430937fb458f4c5ab073e956504b2f6aa4685babe39a96469e/IPE-support--2014.jpg)
![Jared Ginsburg, Motor with bamboo (2014) | Motor, bamboo, pencil (limit) ; dimensions variable](https://freight.cargo.site/t/original/i/f5e387de06cd6ae2f71cc4594a83c423d893b871dc399d8c3d86211bf4deb9e4/Jared-Ginsburg--Motor-with-bamboo--2014.jpg)
![Turiya Magadlela, My womb is at fault 3 (2014) | Pantyhose, canvas ; 100 x 100 cm](https://freight.cargo.site/t/original/i/941cfd7fe94c7989658bd9cf0946af25aa085deb99827b9c79f6ca57e6c11532/My-womb-is-at-fault-3--2014.jpg)
![Misheck Masamvu, Ngoma ndiyo ndiyo (beating the same drum) (2012) | Oil on canvas ; 210 × 150 cm](https://freight.cargo.site/t/original/i/d2fff96a849bdd58287deadc69b7b2b5b89652a56abb211d8935ec20ad0873ca/Ngoma-ndiyo-ndiyo-beating-the-same-drum-210cm-x-150cm.jpg)
![Igshaan Adams, Parda I (2014) | Woven nylon rope and string ; 114 x 85 cm](https://freight.cargo.site/t/original/i/37eaed43b66f4a9dc963635939d20057ce56d91d3008220c1272fa59e3deda1a/Parda-I--2014.jpg)
![Igshaan Adams, Parda II (2014) | Woven nylon rope and string ; 122 x 77 cm](https://freight.cargo.site/t/original/i/8164157060991a82d39ebda3fc53bc164231600ec597f8801ea7402b3646796e/Parda-II--2014-cropped.jpg)
![Kerry Chaloner, Skin 3 (2014) | Oil, charcoal and nail varnish on Passion TM leather apron ; approx. 114 x 70 cm](https://freight.cargo.site/t/original/i/696b2dbf27b6f0e4c050700796288e80c057090d642bee1d18d0092a73bb8f8c/Skin-3--2014.jpg)
![Mário Macilau, Untitled (from the series Moments of Transition) (2013) | Inkjet print on Hahnemühle cotton paper ; 60 x 90 cm // Edition of 6](https://freight.cargo.site/t/original/i/6fb51d430288b2126331729c6a735b824dfa47ee6b1ef7ddc99623b2a28dab75/Untitled--2013-6.jpg)
next thing you know is the third annual group exhibition presented by blank projects which resolves the trilogy comprising When form becomes attitude (2012) and This is the thing (2013). Annuals present opportunity for the gallery and its family of artists to reflect on shifts in individual practises as well as in the gallery as an organism in and of itself. Compiled with input from the artists, this show looks back at a three year cycle and in doing so prepares to support the ambitious projects of the artists represented.